So what makes LFT Arnoldo a companion to the centuries? Starting with the design of the capital letters, it is first a rational typeface with contemporary proportions. But rationality without style wasn't enough, so its glyphic nature carries an engraved feeling to resemble letters when chisel is put to stone. Once these two traits were settled, the entire character set was developed as a flared humanist sans in order to complete the family and extend its usage, from titles and display settings to texts.
LFT Arnoldo sets titles with dignified authority to appear digitally carved and more arresting than the usual sans or flared sans designs of the past. It is calm and dependable in paragraph use and a captivating vehicle of aesthetic expression in title and display use. At once rugged and syncopated, the slight hourglass stems and incised details make each letter come alive and engrave each paragraph upon our emotions.
LFT Arnoldo intends to be a resilient type family for centuries to come. Its seven roman weights have italic counterparts and the entire family is loaded with OpenType features: alternates, ligatures, small caps, oldstyle and lining numerals, and science and math capabilities. In the battle of charisma, where the right voice must project intelligence, influence, and refinement, LFT Arnoldo is the victor.
Font Family:
· LFT Arnoldo Light
· LFT Arnoldo Light Italic
· LFT Arnoldo Book
· LFT Arnoldo Book Italic
· LFT Arnoldo Regular
· LFT Arnoldo Italic
· LFT Arnoldo Semibold
· LFT Arnoldo Semibold Italic
· LFT Arnoldo Bold
· LFT Arnoldo Bold Italic
· LFT Arnoldo Extrabold
· LFT Arnoldo Extrabold Italic
· LFT Arnoldo Black
· LFT Arnoldo Black Italic
Tags: book, book cover, bookcover, book covers, book jackets, chiseled, chiseled font, classic, contemporary, contemporary humanist, contemporary sans, editorial, editorial font, editorial use, flared, flared sans, friendly, geometric, geometric sans, grotesque, grotesque. legible, sans-serif